“Cross Road Blues,” recorded in 1936, is one of the most famous and enduring songs in the history of the blues. Written and performed by Robert Johnson, the song has become legendary not only for its haunting lyrics and slide guitar work but also for the mythology surrounding Johnson’s life. “Cross Road Blues” has been interpreted as a metaphor for a fateful decision or struggle, and it’s widely associated with the myth that Johnson sold his soul to the devil at a crossroads in exchange for his musical talent. This track is considered a cornerstone of Delta blues and has influenced generations of musicians across genres.

About The Song

  • Lyrics Interpretation: The lyrics of “Cross Road Blues” tell the story of a man standing at a crossroads, calling out for help as night falls. Johnson sings, “I went to the crossroad, fell down on my knees,” expressing a sense of desperation and fear. The song has been interpreted as a metaphor for life’s difficult choices, spiritual crises, or existential struggle. The imagery of the crossroads, a place of decision-making and potential danger, has also fueled the myth that Johnson encountered the devil there, although Johnson himself never confirmed this interpretation.
  • Mythology and Legend: One of the most famous legends surrounding Robert Johnson is that he sold his soul to the devil at a crossroads to achieve mastery of the guitar. This myth has become deeply entwined with “Cross Road Blues,” though Johnson’s actual lyrics do not explicitly reference such an encounter. The crossroads metaphor in the song, combined with Johnson’s mysterious death and unparalleled talent, has contributed to his enduring mystique and the fascination surrounding his life and music.
  • Guitar Mastery: Johnson’s guitar work on “Cross Road Blues” is a prime example of his innovative style. He played with a slide, giving the song its distinctive, mournful sound. Johnson’s use of alternating bass and treble notes, combined with his intricate fingerpicking, created a fuller sound than most solo blues musicians of his era. His guitar playing has influenced countless blues and rock musicians, including Eric Clapton, Keith Richards, and Bob Dylan, who have all praised his technical skill and emotional depth.
  • Cultural Impact: “Cross Road Blues” is not only a classic of the Delta blues genre but also one of the most influential songs in the development of rock music. It has been covered by numerous artists, most famously by Cream, whose version helped introduce Johnson’s music to a wider audience. The song’s themes of hardship, fate, and personal crisis have resonated with generations of listeners, making it a timeless piece of American music history.
  • Song Legacy: “Cross Road Blues” has left a lasting legacy in music, inspiring countless blues and rock musicians. Robert Johnson’s influence extends far beyond his brief career, with the song becoming a symbol of the blues itself. It has been included in various “greatest songs” lists and was inducted into the Grammy Hall of Fame. Johnson’s version of the song remains a foundational piece of the Delta blues tradition, and its mystique continues to captivate musicians and fans alike.

“Cross Road Blues” is more than just a song—it’s a pivotal moment in blues history and the origin of one of music’s most enduring legends. Robert Johnson’s haunting vocals, skillful guitar playing, and the mysticism surrounding his life make this track a timeless classic that continues to influence and inspire musicians across the world. Its lasting impact on blues, rock, and popular culture ensures its place as one of the most important recordings in American music history.

Video

Lyric

[Verse 1]
I went to the crossroad, fell down on my knees
I went to the crossroad, fell down on my knees
Asked the Lord above, “Have mercy, save poor Bob if you please”

[Verse 2]
Mmmm, standin’ at the crossroad, I tried to flag a ride
Standin’ at the crossroad, I tried to flag a ride
Didn’t nobody seem to know me, everybody pass me by

[Verse 3]
Mmmm, the sun goin’ down boy, dark goin’ catch me here
Oooo ooee eeee, boy dark goin’ catch me here
I haven’t got no lovin’ sweet woman that love and feel my care

[Verse 4]
You can run, you can run, tell my friend boy Willie Brown
You can run, tell my friend boy Willie Brown
Lord that I’m standing at the crossroad, babe
I believe I’m sinkin’ down